Remix Competition Winners Announced

The Peace Love Productions remix competition of “Walk Away” has ended, and the winning remixes are all featured on Lovespirals’ SoundClick page. The Grand Prize Winner is SinQ, from Holland, with his “Don’t Look Back” mix, while Canada’s Bitstream Dream and Finland’s Funklovers produced the two Runner Up mixes. Lovespirals also selected a number of additional remixes as Honorable Mentions.

The Prizes for this contest included a copy of Ableton Live 3, Abelton Live Power, the Alien Guitars CD, the Dsound RT Player Pro & Stompin’ FX, plus the PLP Disco Tech Loop CD. Lucky winners!

You can also read a Side-Line story on Lovespirals PLP remix contest.

Remixes

Man oh man there were a lot of remixes to listen to this weekend! First we whittled the 4 pages worth of entries to just 32 tracks, then down to 22 tracks, and finally to 8 tracks. Now we need to hone in on just one Grand Prize Winner and 2 Runner-Ups. We feel like American Idol judges! Ryan says he’s Simon and I’m Paula, but I think I’m a bit more like Randy… đŸ™‚

Anyway, I’m planning to unveil the final announcement by Friday, which will hopefully include our having all pertinent mixes uploaded to our SoundClick page for everyone to check out!

Remix Contest Ends Soon!

The PLP “Walk Away” remix competition ends February 5th, after which
time all of the entries will be judged and a Grand Prize winner selected.
Lovespirals will host an mp3 of the winning mix and several runner-ups
on their newly launched SoundClick page. Plans are also underway for a remix CD highlighting a wide range of remix styles, so stay tuned for more news!

Walk Away Remix

Wow, Peace Love Productions says we’ve already gotten 500 downloads of our remix files since Friday! I wonder how many actual remixes we’ll get? I wonder how many other people will try to illegally use our samples? I hope they won’t but I’m sure someone will.

Some people have already asked about posting the remixes on their sites. I think that would be cool. I guess I should get together a credits file to be posted with the mixes. I should ask DJ Puzzle about adding something to the remix site for folks to use.

Sounds like PLP might end up doing some kind of remix CD, if the entries are cool enough.

Lovespirals Remix Competition

PeaceLoveProductions is currently hosting a remix competition for Lovespirals’ recent song, “Walk Away.” Prizes include Ableton’s Live 3 and Live Power, Dsound’s RT Player Pro & Stompin’ FX, and PeaceLoveProductions sample CDs. The contest is being sponsored by Ableton, CoolBreeze, Time+Space, Muska & Lipman, DSound and MixMeister. For full details and remix files, go here

Gothic Jazz?

Just came across the funniest mention of us in a Devics review online.

Slow, teary-eyed gothic jazz was an inevitability as darkwave, dream pop, and shoegazing became further and further intertwined. Lovespirals’ “Windblown Kiss” of 2002 was heralded as the style’s official birth and fulfilled the lifelong dreams of darkwave and lounge lovers like myself by blending the melancholy, ethereal vocals of the former with the breezy, slow sway of the latter.

Even though I have heard one or two other people make similar mention, I can’t get used to the idea that anyone would still think we’re Gothic, in addition to Jazz. It’s just too crazy! Why not “Dark Jazz” at least? LOL.

Ha Ha! First Ryan invents “Gothic Trip Hop” (Flux) and now “Gothic Jazz” (Windblown Kiss). I suppose next we’ll be “Gothic Soul”? No… People can’t possibly try to lump our new music in with Gothic. Can they?

Fiber Online Interviews Lovespirals

Ryan & Anji of Lovespirals, 2002
Ryan & Anji of Lovespirals, 2002

Interview by Isobel Geo for Fiber Online, Oct 26, 2003

ISOBEL: What changed in the Lovespirals sounds with your entrance in 1999?

ANJI: The sound was already evolving in 1998, moving towards something more jazzy and funky than previously. Ryan was working with Doron Orenstein, a trained jazz saxophonist, when I joined. Adding my jazzy and soulful vocals helped to further that evolution. As we continued to work together, my song writing style brought a more poppy edge to the music. The biggest change I brought to the band was that I encouraged a collaborative song writing technique, which had been lacking in the band up to that time.

ISOBEL: The last album was Windblown Kiss released last year, so what’s the new Lovespirals’ plans for albums, tours, or remixes?

ANJI: We’ve been writing and recording new songs ever since we finished touring for Windblown Kiss, and are about half way done with an album now. Soon we need to start preparing a new live set that includes all of these new songs. Right now we are getting together files for a remix competition using our new song “Walk Away” that PeaceLoveProductions will be putting on. We are currently seeking a label to release our next album, as well as looking into possibly doing them ourselves.

ISOBEL: Anji, and your project, Plastic Chair, how’s that going?

ANJI: Plastic Chair are going to have a track or two included on an upcoming Monolog Recordings compilation. Chuki has been searching for labels to release our first full length album, but I don’t think he’s settled on any one yet.

ISOBEL: In your opinion will new jazz be the future of electronic music?

ANJI: It seems to me that NuJazz has already been a fairly strong force in electronic music since the mid to late 90’s, though I suppose that has mainly been a UK thing. It always seems to take a few years until America catches up with them, so maybe it hasn’t really even begun here yet. What I’ve been hearing lately, though, is an insurgence of 80’s ElectroBoogie/ElectroFunk styles hitting the US labels that were previously doing Jazz/Soul/Funk inspired Electronica.

ISOBEL: Does Lovespirals has a brazilian bossa nova influence? Tom Jobim, Vincius de Moraes, Astrud Gilberto?

ANJI: I love Bossa Nova and was trying to influence Ryan to make an Astrud Gilberto type song for me to sing, but it came out a little differently… The song was “Our Nights.”

ISOBEL: Nowadays, what’s the strongest influence in the band’s sounds?

ANJI: As always, Ryan’s influenced by whatever music he’s listening to. For instance, during the writing of Windblown Kiss, he was listening a lot to Led Zeppelin, Pat Metheny, and Miles Davis. His music picked up some Jazz and Blues elements, yet we hardly sound like any of those artists. Lately he’s been listening a lot to Pink Floyd and Talk Talk. Of course, Ryan prefers to listen to music when he can focus all of his attention on it, so that isn’t very often. He likes to absorb albums slowly. I, on the other hand, tend to consume music. I’ve been listening to all kinds of stuff, but mainly music with very soulful vocals, from the 1970’s to now. Strangely, Ryan cites long boarding as being a big influence right now in his musical thinking.

ISOBEL: Are you very critical about another electronic music styles and hypes?

ANJI: I suppose we are both fairly critical of music. I think we are most critical of bands that don’t change over time, but seem to be stuck in one type of rut. We both enjoy a wide range of musical styles, including various electronic styles, rock, pop, and jazz.

ISOBEL: And are you critical about your own work?

ANJI: Sure, we’re totally critical of our work. We constantly seek to improve our skills and learn more about music. We never want to do the same thing twice, really.

ISOBEL: Who writes the songs, you or Ryan, or both? What subject always has taken in lyrics?

ANJI: We completely collaborate on all our songs. Ryan does the bulk of the music writing and performing, with input from me — particularly as far as the song structure goes. We work the songs up together, starting with either a guitar melody and vocal, or a keyboard melody and vocals. I write all of the lyrics and vocal melodies. My lyrics are generally about personal experiences, though sometimes they are imaginary. I like to write about love, primarily, but I also write about other subject matter.

ISOBEL: How can I describe Lovespirals?

ANJI: We’ve been referring to ourselves as Jazzy Electro-Acoustic Dance & Pop. That kind of covers it all. Our music is a mixture of Jazz, Soul, Blues, and Electronica with plenty of mood and melody. Sensual female vocals and beautiful guitar drive the songs, with funky keyboards and organic percussion keeping the rhythm. We’re currently dabbling in genres including Down Tempo, Deep House, NuJazz, and NuSoul, but we’ve also written in many other styles in the past, including Atmospheric Drum n Bass, Lounge, Folk Rock and more. We’re all over the board!

You can read Isobel’s Portuguese article at FiberOnline.com.

Ethereal Chillout Music