How odd! I just finished reading a book about George Antheil yesterday, only to see on Yahoo! News that his “Ballet Mecanique” is about to be performed – with the 16 baby grand pianos and various percussion mechanically controlled, as he originally wished. But the nutty composer called for a 152bpm performance, whereas — apparently — pianos can only be played at 138bpm by machine, and 120 by humans. Interesting…

We’ve been getting slammed by spammers in our blog comments lately. It’s been going on for awhile actually, but recently it has increased so much that it isn’t worth fighting anymore. Once more time is being spent trying to squelch blog comment spam than actually blogging, there is a problem. So we have disabled commenting for the time being. Sorry.

Last night we saw the movie Rashomon, director Kurosawa’s 1950 masterpiece. Damn that was good. Another one of those gems that has sneaked past me up until now. I highly recommend this movie to anyone who’s into movies that are a little different from the Hollywood mold, from then or now.

After finishing up the podcast yesterday, we started recording another new song. We had starting writing this one a few weeks (months?) ago, before the mixer blew… Anyway, it’s always so fun to be working on new music. We’re constantly evolving and finding new ways to express ourselves. Got to be one of the best feelings in the world!

Man, Robert Cray was SMOKIN’ HOT last night. He is like 100 times better in person than on record. Ryan and I were standing right in front of him, getting his monitor feed really loud in the mix so we could hear his guitar and vocals much louder than the keys and rhythm. Holy crap is that man talented. Not a stinker note in the whole set. Not only was his guitar totally fucking amazing, but his vocals were perfect, as well. He has such control, I was in awe. And such presence. I almost burst into tears after the first or second song, it was so beautiful. Wow.

Now the crowd was a whole other story… I really wanted to pop this one guy in the face, he was so fucking rude and annoying the entire set. He was some dufus named “Dave” who apparently is on vacation from Jersey and has spent the last few days at Disneyland. He told these women he was trying to pick up on next to me that he “was all Mickey’d out” hence, he mosied over to the House of Blues for a change of scenery. I know a lot more about his trip, since he kept talking the whole time, only stopping to yell “Woo!” during solos and “Thank YOU!” between songs. Finally, during the encore performance of “Time Takes Two” – which I’d been looking forward to all night – I said “Shut up!” and flipped Dave off to his face, but he was so stupid and drunk, he didn’t seem to notice. The chick he was talking to left, though, so that helped. But then some gross guy in a sparkly red Ruby’s Costume type shirt and a super gross lady in a cheap flame patterned polyester dress lurched over and started dry humping up against me. I pushed the guy’s back away from me, but he didn’t move, so I started elbowing him and kicking his foot, but that just seemed to excite him or something. I had to retreat backwards a foot and move to the other side of Ryan, but by then, my song was over…

Anyway, all the dufi in the world can’t take away the magical feeling songs like “Who’s Been Talking,” “Poor Johnny,” “That Ain’t Love,” “Twenty,” and (the unexpected) “12 Year Old Boy” gave me.

At long last, Ryan and I went into studio B to record another podcast. It’s a Valentine’s podcast, I suppose, though it’s pretty much like any other Chillin with Lovespirals podcast. The highlight of the show is a clip from our second brand new song, “Empty Universe.” You can check it out through the “podcast” tab on our site, or via iTunes or any of the other usual podcast listing sites.

Oh, I promised listeners that I’d post a photo of the new and improved worker gnome, Babik Nurn…