A phone interview with Anji discussing Windblown Kiss, musical influences, and old vinyl for Outsite Radio Hour by Tom Shulte.
This is a link to a Real Audio file on Music Soujourn.
A phone interview with Anji discussing Windblown Kiss, musical influences, and old vinyl for Outsite Radio Hour by Tom Shulte.
This is a link to a Real Audio file on Music Soujourn.
Lee Prosser reviews Windblown Kiss for Jazz Review, July 2002
Ryan Lum and Anji Bee are Lovespirals. With a touch of soft blues and world music motifs, this entry into the smooth jazz category is a surefire hit and should appeal to a wide listening audience.
The music is refreshingly original and likeable, enjoyable in all ways. The 10 selections include “Oh So Long,” “Dejame,” “Windblown Kiss,” “Our Nights,” and “I Can’t See You,” among others.
Ryan Lum is a master of guitar, his techniques fresh and pleasant, and the sensual vocals of Anji Bee perfectly reflect the high quality of the musical compositions. Windblown Kiss is a magical listening experience, filled with sensitivity and beautiful soft jazz sounds.
Lovespirals is topnotch.
See the original review at jazzreview.com
Jianda Johnson interviews Anji for a feature article on the Women of Mp3.com Station.
JIANDA: How did you get into music, how long have you been making it, and when did you join Lovespirals?
ANJI: I’d say that I first got into music through my dad. One of my earliest memories is circling around the coffee table to “Here Comes the Sun,” when I was barely able to walk. I started singing very early, doing school productions from Pre-School on. Shortly out of High School, I got invovled with different garage bands, doing gigs, and recording 4 track demos. Strangely, I really always wanted to be a guitarist, but I’ve just never been very adept at it! I did play guitar in an industrial noise rock band for awhile, but it was a struggle for me. I played percussion in another band around that time too. It’s funny to think about those old bands now, in comparison to my work with Lovespirals. Speaking of Lovespirals, I began working with Ryan in early 1999.
JIANDA: Can you please explain the difference between Lovespirals and Love Spirals Downwards?
ANJI: When Ryan and I began working back in 1999 on Drum ‘n’ Bass tunes, he was in a transitional period, unsure if he wanted to make another listening album or start releasing 12’s instead. At that time, we weren’t sure if our stuff was going to be released as Love Spirals Downwards or as some kind of side project. We were just recording songs and pressing dubplates for him to spin in his DJ sets, not sending them around to labels or trying to get them released. Then I made those tracks available online through mp3.com and folks started contacting us to include stuff on compilations, so by now all of them have been released somewhere or other, which is really cool. But I digress… It’s tremendously hard to explain exactly where or how things changed between Love Spirals Downwards and Lovespirals, because it was all just a natural progression.
Continue reading The Women of Mp3.com InterviewWebsite and radio station, Gothic Paradise, announced in their latest newsletter: “Added a review and information on the debut album from the newly formed Lovespirals, featuring almost legendary, multi-talented Ryan Lum of Love Spirals Downwards fame. Combined with Anji Bee‘s musical talents and beautiful voice, they’ve managed to create a very captivating sound. Their style reflects only vaguely Ryan’s previous work with Love Spirals Downwards and takes on a more Jazzier tone with touches of Flamenco, Folk and other genres. I like to compare them to the latest release from The Cranes, dreamy and experimental and Julee Cruise, Ethereal and Jazzy. Great stuff and one of the latest releases on Projekt Records!“
Here’s the full review written by Jacob Bogedahl:
I’ve been waiting for this release for a long time and it’s been well worth the wait. I, like other fans of Love Spirals Downwards wasn’t sure of what to expect with this release. I had heard a little bit about it and had a listen of “Dejame” early on before the release. Also being a fan of Julee Cruise and hearing that similarity, I knew I was going to enjoy this album.
Combining so many instruments, different guitars, various styles including Flamenco, Jazz and a bit of Ethereal, everything comes together almost perfectly. The beginning track “Oh so long” really sets the somewhat melancholic yet jazzy mood for the album. The follow-up track “Dejame” is my favorite from this work of art. The Spanish lyrics are pensive and Anji’s vocals are beautiful and thought-provoking. There are some upbeat tracks that have an overall happy mood to them such as “He Calls Me”. “Windblown Kiss” is probably the track that can most closely be compared to the more Gothic Ethereal style with the acoustic elements and the overall dreamy feeling you get while listening to it, another favorite of mine.
Some other great points about this album are the additions of saxophone by Doron Orenstein. Also, the addition of male vocals by Sean Bowley on several tracks. There are other contributions by these artists and others with the entire production, including mastering by Robert Rich. Such a combination of musical styles and instruments along with the talents of this duo is just outright innovative and enjoyable. I think a wide audience will really enjoy this album. I give it a 4 1/2 out of 5 rating, not quite perfect more for my own tastes than for any flaws in the music.
See the Gothic Paradise band bio for Lovespirals at: http://www.gothicparadise.com/lovespirals.htm
Also be sure to check out Gothic Paradise’s Ethereal channel radio programming!
Tom Schulte will interview Anji for the Outsight Radio Hours on Sunday August 4th. You can listen to the Outsight Radio Hours streaming live Sunday from 6 to 8 pm EST (3 to 5 PM PST) via LUVeR Underground Radio; just enter the following URL into your Real Player: http://64.23.9.139/luver/luver.ram. Outsight is also a featured archival broadcast of the Music Sojourn site and Live 365.com.
Michael Toland reviews “Windblown Kiss”
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An outgrowth of the Gothic dreampop band, Love Spirals Downwards, Lovespirals cast aside much of the previous incarnation’s psychedelic gloom while retaining its romantic angst. The airy arrangements and acoustic guitars put a new spin on the kind of emotional claustrophobia at which LSD was so adept.
“And it’s oh so long to wait/I lack the patience/Give me strength” Bee sighs in “Oh So Long” as she waits to be reunited with her lover; “Swollen Sea” and “I Can’t See You” also look for beauty in the pain of lost love. But Bee and Lum don’t forget joy: “Our Nights,” “He Calls Me” (which adds an overt spiritual dimension to the proceedings) and the title tune celebrate love instead of dreading it.
Interestingly, Lum and Bee invite guitarist/songwriter Sean Bowley from Eden to contribute vocals and lyrics to two cuts; the results are strong Gothic folk/pop songs, but they don’t fit with the rest of the record. Still, those songs don’t detract from an otherwise consistently beautiful treatise on romantic expression.
For fans of: the Cardigans, Cousteau, Everything But the Girl
Get your copy of Lovespirals’ ‘Windblown Kiss’ CD from Projekt.com
Matt Rowe reviews “Windblown Kiss”
Ryan Lum, the mainstay of Lovespirals (formerly Love Spirals Downwards ), is in complete control of this band and its direction. Having flitted in and out of several styles without losing its base sound, Lovespirals comes to an extravagant and pleasing approach in their newest offering, Windblown Kiss. Suzanne Perry, the band’s former chanteuse, is missed but her disappearance is forgiven by the shockingly beautiful and sultry voice of Anji Bee. Windblown Kiss is a satisfying surprise offering from a band that stands out in an ever burgeoning sea of bands for all its gorgeous song arrangements.
This release, like sugar on our tongues, is a sweet indulgence. Every song features the erotically charged vocals of Anji Bee and the slowly building tension of Ryan Lum’s jazzed up and sexy instruments. From the flamenco tones of “Dejame” to the icy hot, night summer breezed, slow drip of “Our Nights”. “Our Nights” is a remembrance piece, a nostalgic stroll through the countryside of our memories to times when love and infatuation meant a dreamy walk in the nightlights of Paris . “He Calls Me” recounts the absolute joy of love& how it clouds yet reveals the irridescence and glory of passion.
“Swollen Sea” speaks of a love that is lost to an ever growing sea of lost loves, the shimmering sadness emanating likes heat waves from a boiling sun. The sheer magnitude of the solitary, after hours, soft push and plea to betrayed love that is “I Can’t See You” with the saxophone giving voice, pleading, pleading to make the departure easier than it is. A better than five minute tune, it engulfs you into its soul and swallows you. But& if you hang on for several minutes of silence, you become refreshed with a bluesy, demo-like tune that merrily intones, “You got me feeling down, you got me feeling so blue”.
The other songs are equally blessed and imbued with the engulfment of love and the sticky displeasure of separation. Ten songs in all with a bonus track buried deep in the afterglow of “I Can’t See You”. Wait a few minutes and it will show up. There are clearly several singles on this CD. My choice? The catchy and haunting “Our Nights “. But “You Girl” and “Dejame” are blissful and are wonderful selections as well. The booklet, a tri-fold six- pager, with photos, notes, credits and lyrics is done well. The photos are perfect, the lyrics readable and the overall package a pleasant acquisition. The production on the CD is clear and well recorded.
This album gives us the gift of remembering what once was good with love and anticipation. It encourages us and gives us hope that it can be that way again. I was swept away on echoed guitar notes, carried through the ether of love and hope, deposited into the womb of affection. And on that journey, I saw slightly swaying bodies, loosely holding onto their lovers; hearts joined to the timekeeping of drums until it was all the same beat. That is the impact of this CD, a soundtrack for what drives us to fall in love, what forms every lip to whisper, to moan. I cannot wait for the next contribution from Lovespirals.
Ryan and Anji …You Rule!! (4 stars)
Marc Tucker reviews Windblown Kiss in Progression Issue #41
Here we have an extremely surprising duet laying out wispy, torchy, lament music based in various Jazz styles (Brazilian, mild Samba, sophisticated New Age, West Coast cool, etc.). As one would guess, given the label, there’s also a quasi-Goth vibe attached.
Anji Bee possesses a melliflously wistful voice well-bedded in wunderkind Ryan Lum’s multi-instrumentality (endless strings, keyboards, percussion, etc.). This is exactly the sort of thing futiley sought in the catalogs of Basia, Lani Hall, Kenia, and the chantueses hyped to be as laid back as they ultimately proved incapable of – Astud Gilberto being the unmatched paradigm. Lum has a perfect ear for languidity, as sensitive to nuance and atmosphere as Bee’s beautiful modulations.
Multi-tracking her was a perfect choice; other voices wouldn’t have been nearly so accomodating. I’ll be amazed if this album doesn’t start showing up on mainstream playlists. It’s the equal of the crop’s best; a great deal better than most. If you long for premium romantic music to de-stress by, while still retaining your brains, this is it.
Ned Raggett reviews “Windblown Kiss”
When the original partnership of Ryan Lum and Suzanne Perry in Love Spirals Downwards dissolved, the result was a new romantic and musical union between Lum and singer/songwriter, Anji Bee. With the band slightly renamed to indicate the difference between the new directions the duo explored, the first effort from the two was the excellent Windblown Kiss.
Advantageously, it isn’t a radical departure from Lum’s earlier work this isn’t Mojave 3 as different from Slowdive, say but instead a fascinating and beautiful new path that draws from his past without repeating it. It’s evident not merely in his own playing he’s just as apt to explore moody blues licks, acoustic flamenco and bossa nova lines, as well as his trademark digital delay lushness but the range of the songs as a whole.
Bee’s singing is key here instead of the angelic bliss-out of Perry, her approach blends that touch with a subtly sassier tang, reflecting her love for singers like Billie Holiday. Indeed, much of the album feels like a performance at a very classy (but not dull) late-night establishment, with subtle grooves and the sense of passionate love suffusing the air. That she can manage the wonderfully romantic Spanish-language song “Dejame,” with appropriately delicate Latin pop arrangements — not to mention equally fine singing elsewhere in German and French — as well as a cover of an obscurity by America, “You Girl,” gives a good sense of her abilities.
With fine guest work from Doron Orenstein on saxophone and, in two excellent duets with Bee, “How the Thieves Ride” and “You Are the Gun,” Eden’s Sean Bowley on both vocals and guitar, Windblown Kiss adds up as an enveloping, invigorating listen that avoids any easy “Goth” tag to find its own darkly passionate medium. (4 stars)
allmusic.com
Russ Marshall of Jive interviewed Ryan and Anji for the music section of their print magazine. Their website also features the Lovespirals interview plus an mp3 of the brand new unreleased song, “Love Survives.” Be sure to check that out at www.jivemagazine.com and if you can pick up a copy of the magazine, snatch it up now!
Q: When did the Ryan/Anji collaborations begin, and how did that come to be?
Anji: Ryan and I started working together late 1998, early 1999. We pretty much hooked up through my radio show on KUCI 88.9fm (in Irvine, CA). He had me come over to his studio to check out some new stuff he was working on (which later turned out to be ‘Beatitude’ and ‘Love Survives’) and I was really into it. The first two songs we did, “Ecstatic” and “Hand in Hand,’ Ryan made dub plates of; he was more heavily into deejaying at that time.
Our friend, the poet and lyricist, Alex Lang, was kind enough to write up a lovely little press piece on our upcoming album:
WINDBLOWN KISS is the first full-length album by LOVESPIRALS, the beautiful, and beautifully surprising collaboration of RYAN LUM (the driving force behind legendary LOVE SPIRALS DOWNWARDS) and avant-garde singer/songwriter ANJI BEE.
Renown multi-instrumentalist LUM once again creates musical landscapes of breathtaking beauty – and with vocal styles ranging from ethereal to earthy, sweet to sensual, BEE shows off her remarkable vocal range, and allows the full force of her voice to soar into the sublime.
Drawing inspiration from Flamenco, Bebop, soul, folk and the stacks of early vinyl they each grew up loving, LOVESPIRALS has created a timeless world of romance and intrigue. Leaving behind the conventional restraints of dance-floor tracks, this latest endeavor is at once a dreamscape of nostalgia, and a kiss blown to the future.
Using half a dozen different guitars, and featuring the extraordinary talents of DORON ORENSTEIN (of TOOF!) on saxophones, and SEAN BOWLEY (of EDEN) on acoustic guitar and vocals, WINDBLOWN KISS is a celebration of creative anachronism: the past and the future negotiate a gorgeous balance.
Sean Flinn of RadioSpy wrote us up for the upcoming ProjektFest 2002 music guide.
Lovespirals is, in some sense, a reincarnation of the now defunct but long beloved Love Spirals Downwards. The two bands share in common multi-instrumentalist Ryan Lum, whose shimmering guitar work and lush electronic soundscapes helped define the ethereal genre in the mid to late 1990s. And they share a certain aesthetic — a languorous fascination with gossamer guitar textures and celestial female vocals. But it’s also — make no mistake — its own entity, having formed in 1999 shortly after the fruitful partnership between Lum and vocalist Suzanne Perry dissolved. Partnering with vocalist/songwriter Anji Bee, Lum formed Lovespirals, a new band with a name that evokes the familiar while creating space for the provocative — a one-word manifesto for a two-person union.
Inspired by their emersion in the California drum ‘n’ bass scene, Lum and Bee initially led Lovespirals down the sonic trail that LSD blazed on its final album, Flux. The group’s early tracks blended jazz-step breakbeats with relaxed saxophone workouts and Bee’s warm, enveloping vocals — elements that epitomized the California downtempo underground. After appearing on a number of popular chill-out compilations, and following the smashing success of several tracks released through MP3.com, the band set out to record a full-length album for Projekt. Radically changing courses, Lovespirals began composing new material with a stronger pop sensibility, building songs around narrative lyrics, sharp melodic hooks, and organic instrumental sounds. The resulting album, Windblown Kiss, marks another step in Lum’s evolution, and signals the arrival of Bee as a mature vocalist/songwriter. Saxophonist Doron Orenstein, of Toof!, and Sean Bowley, of Eden, provide further departure points, coloring the album with subtle hues of Jazz and World Beat, and helping to produce a post-Shoegazer masterwork.
The irony in all of this, of course, is that the band has managed to defy its fan base, its label,the very confines of genres with an album that’s gentle on the ears and soul — a gauzy confection that challenges without confrontation. Lovespirals’ performance at ProjektFest 2002 will mark a rare live appearance by the group, which plans to support Windblown Kiss with a few exclusive shows before diving back into the studio to resume its obsessions with the almighty breakbeat; or perhaps to completely redefine themselves and their fans’ expectations all over again.
Lovespirals play the headlining slot of the 3 day festival’s opening night, as well as an intimate, stripped down performance the following evening for the Merchant’s Bazaar. Get more information from the ProjektFest site.