The April 2nd “100% Podsafe” issue of iProng Magazine features an interview with Anji discussing Lovespirals, going podsafe, getting into podcasting, music licensing, live performance vs studio recording, and much more. Also included this issue is a great article on eMusic vs Amazon downloads, interviews with fellow podsafe artists Geoff Smith and Natalie Gelman, and an article with Rich Robinson of the Black Crowes, who released their new single to the Podsafe Music Network. By the way, you can check out tons of Lovespirals tracks on the PMN for use on podcasts, internet radio, Second Life DJ sets, and more!
Here’s an excerpt from the interview from iProng Magazine 4/2008:
April 2, 2008: 100% PodSafe Edition, iProng Magazine Artist Feature
For someone who isn’t familiar with Lovespirals, how would you describe it to them?
We write and record all of our music together in our own home studio. As such, our music has a very intimate feel. Our sound doesn’t follow any particular genre model, instead, we play what we feel at the moment. We tend towards very melodic, bittersweet, and dreamy music that focuses on beautiful vocal harmonies and soulful guitar work, with liberal sprinklings of electric piano.
There’s always been a sort of tug of war in Lovespirals between jazzy electronica and folky rock. Each of our releases have come upon a different solution to this tension between the modern and vintage sides of our musical personalities. One the one hand, we both love the old vinyl albums we grew up with as kids, but on the other, we’re drawn to contemporary music and production techniques. The interesting thing about this is that while the casual listener assumes a song like “Caught in the Groove” from Long Way From Home was recorded with a full band, in actuality Ryan programmed the drums using a keyboard controller and samples, the piano is recorded with midi, and the guitars and bass were performed one track at a time in ProTools. The thing is, just because we’re using computer based recording techniques doesn’t mean our music has to sound like it was made with a computer, you know?
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